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<channel>
	<title>Francis Irv</title>
	<link>https://francisirv.com</link>
	<description>Francis Irv</description>
	<pubDate>Sun, 13 Jul 2025 13:43:38 +0000</pubDate>
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	<item>
		<title>home</title>
				
		<link>https://francisirv.com/home</link>

		<pubDate>Sun, 18 Dec 2022 18:53:14 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

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		<description>2022 - 2026</description>
		
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	<item>
		<title>Exhibitions</title>
				
		<link>https://francisirv.com/Exhibitions</link>

		<pubDate>Sun, 26 Feb 2023 18:50:25 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

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Past:
Benjamin Echeverria
November 15th - December 20th, 2025
Georgica Pettus
Seconds Minutes HoursDecember 4-7. 11-13


Megan Marrin
BabylonSeptember 10th - October 11th, 2025





Adam Unparadis’dJuly 19th - August 22nd, 2025Tina Barney, Arthur Marie,Carissa Rodriguez, Rose Salane


Osama Al Rayyan and PaJaMaGallery House ZurichJune 5th - June 15th, 2025Zurich, Switzerland

Karla KaplunBasel Social ClubJune 15th - June 21st, 2025Basel, Switzerland




Oliver Osborne 
Comic SansMay 6th - June 14th, 2025


Osama Al Rayyan 
Poets or Poems March 26th, 2025 - April 26th, 2025


Minh-Lan Tran
Devotion disorderJanuary 22nd, 2025 - March 1st, 2025

Rachel Fäth &#38;amp; Zazou RoddamCondo LondonHosted by Brunette ColemanJanuary 18th, 2025 - February 15th, 2025

Benjamin Echeverria
Paris Internationale
October 16th - 20th, 2024
Paris, France


Win McCarthy
Kingdom ComeSeptember 7th - October 12th, 2024

A String of Tongueless BellsJuly 13th - August 17th, 2024
Osama Al Rayyan, Benjamin Echeverria, Rachel Fäth, Win McCarthy, Phung-Tien Phan, Paul Sietsema

Asta Lynge
Original Room May 24th - June 29th, 2024
Karla Kaplun
How Bright is the Sun?March 29th - May 5th, 2024
Nine OilsJanuary 21st - March 9th, 2024Anna-Sophie Berger, Sanya Kantarovsky, Oliver Osborne, Minh-Lan Tran, Banks Violette
&#38;nbsp;
Reinhard Mucha
KasselNovember 19th - December 16th, 2023

Rachel Fäth
(Coördinator)October 1st - October 28th, 2023
Benjamin EcheverriaMay 17th - July 2nd, 2023

Benjamin EcheverriaBasel Social ClubJune 11th - 28th, 2023Basel, Switzerland

Under Machine ThingApril 6th - May 7th, 2023Georgia Gardner Gray, Matthias Groebel, Danny McDonald



Jake CruzenBridget, Roosevelt, River, Toonie &#38;amp; JuJu
February 24th - March 26th, 2023


BalustersJanuary 13th - February 10th, 2023
Lotte Andersen, Nicholas Bierk, Asta Lynge, Ian Waelder






Angharad Williams and Sophie GoglNovember 1st - December 18th, 2022

A Fool’s Game Played by Cowards


Los Angeles, Feburary 2022

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	<item>
		<title>Adam Unparadis'd</title>
				
		<link>https://francisirv.com/Adam-Unparadis-d</link>

		<pubDate>Sun, 13 Jul 2025 13:43:38 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

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Adam Unparadis’d
Tina Barney, Arthur Marie,
Carissa Rodriguez, Rose Salane
July 19th - August 22nd, 2025
	

	
		
		
	
	
		
			
				
					



	
		
		
	
	
		
			
				
					

	
		
		
	
	
		
			
				
					
Picture this: a grand fall from grace, a crime scene in what can only be described as “an estate”. A whodunit. A
buckshot of bones, three blind pedlars, a codex of appointments. Forensics staged like expression, expression
staged as forensics—the latent possibility of the opposite present in each.

					
His years had been spent in such habitual obedience to the conventions of his class, that by this age, he had
become the convention itself. And on the seventh day, he awoke with that same foretaste of loss that had trailed
him since last Sunday. He found himself facing his grand mirror when an unfamiliar face appeared over his
shoulder. He thought Oh Heavens. Something thawed in his chest. He felt for the first time an absolute present
tense then felt nothing at all.

				
			
		
	



				
			
		
	


				
			
		
	


				
			
		
	





&#38;nbsp;

				
			
		
	




 













	
		
		
	
	
		
			
				
					


	
		
		
	
	
		
			
				
					
Tina Barney (b. 1945, New York) lives and works in Westerly, Rhode Island and New York. Selected solo exhibitions
include: Jeu de Paume, Paris (2024-5); Kutxa Fundazioa, San Sebastián (2024-5); Sun Valley Museum of Art, Sun Valley
(2024); Kasmin, New York (2023, 2018, 2015); New Orleans Museum of Art, New Orleans (2015-16); Frist Center for the
Visual Arts, Nashville (2015); Netherlands Foto Instituut, Rotterdam (1999); Museum Folkwang, Essen (1999); Museum
of Modern Art, New York (1990). Selected public collections include: Art Institute of Chicago; San Francisco Museum of
Art; Los Angeles County Museum of Art; Museum of Modern Art, New York; Whitney Museum of American Art.

					
Arthur Marie (b. 1996, Cherbourg) lives and works in Paris. Selected solo exhibitions include: Francis Irv, New York
(forthcoming, 2026); Fitzpatrick, Paris (2025, 2023); Queer Thoughts, New York (2023); Plymouth Rock, Zurich (2022).

					
Carissa Rodriguez (b. 1970, New York) lives and works in New York. Solo institutional exhibitions include Kunstverein Munich (2024), Art Institute of Chicago (2020), Walker Art Center (2019), MIT List Visual Arts Center (2018), SculptureCenter (2018) and the Wattis Institute (2015). Rodriguez participated in the Whitney Biennials of 2014 and 2019 at the Whitney Museum of American Art. She holds a B.A. in Literature from The New School (1994) and attended the Whitney Museum Independent Study Program (2001-2). Rodriguez was a core member of Reena Spaulings from 2004-2015.&#38;nbsp;Museum collections include the Whitney Museum, Walker Art Center and The Metropolitan Museum of Art where her film The Maid is currently on view through 2025.

					
Rose Salane (b. 1992, New York) lives and works in New York. Selected solo exhibitions include: The Institute of Fine
Arts NYU, New York (2025); The Athenaeum, Lamar Dodd School of Art, Athens (2024); TANK, Shanghai (2024);
Carlos/Ishikawa, London (2023, 2018); Hessel Museum of Art, Annandale-On-Hudson, New York (2021); MIT List
Visual Arts Center, Cambridge (2019); Jeffrey Stark, New York (2015). Selected public collections include: Metropolitan
Museum of Art; Whitney Museum of American Art; Santa Barbara Museum of Art; Walker Art Center.

				
			
		
	


				
			
		
	




 
&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/4f75ba430c19ec01b4818913f22f8894d0a1896441254cf57b0f62c5666fbe8e/01_ADAM-INSTALL.jpg" data-mid="236097942" border="0"  src="https://freight.cargo.site/w/1000/i/4f75ba430c19ec01b4818913f22f8894d0a1896441254cf57b0f62c5666fbe8e/01_ADAM-INSTALL.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/dc2fc7081ce13ee94f3e43ca893a6cf34ffa3e578c8fc742013e6a729b0bef82/02_ADAM-INSTALL.jpg" data-mid="236097943" border="0"  src="https://freight.cargo.site/w/1000/i/dc2fc7081ce13ee94f3e43ca893a6cf34ffa3e578c8fc742013e6a729b0bef82/02_ADAM-INSTALL.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/7741d61ae731190dbe5810ba54f3953e0044722bea47c7df12e96fd888951369/03_ADAM-INSTALL.jpg" data-mid="236097944" border="0"  src="https://freight.cargo.site/w/1000/i/7741d61ae731190dbe5810ba54f3953e0044722bea47c7df12e96fd888951369/03_ADAM-INSTALL.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/c7f57c9378a6bf8e6a2bf6c2175e771ac798aa2aea648a1cd44d3cee0f227d6a/04_ADAM-INSTALL.jpg" data-mid="236097945" border="0"  src="https://freight.cargo.site/w/1000/i/c7f57c9378a6bf8e6a2bf6c2175e771ac798aa2aea648a1cd44d3cee0f227d6a/04_ADAM-INSTALL.jpg" /&#62;&#60;img width="6976" height="4667" width_o="6976" height_o="4667" data-src="https://freight.cargo.site/t/original/i/3a65680dd3de58fa7a17e9cb105fc7d40f6537589c62e2c668627941684dc913/05_ADAM-INSTALL.jpg" data-mid="236097946" border="0"  src="https://freight.cargo.site/w/1000/i/3a65680dd3de58fa7a17e9cb105fc7d40f6537589c62e2c668627941684dc913/05_ADAM-INSTALL.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/d1b657770f4c296e8f224b9b41d77b305db715abb56728dc7fd78a90cbe264b3/06_ADAM-INSTALL.jpg" data-mid="236097948" border="0"  src="https://freight.cargo.site/w/1000/i/d1b657770f4c296e8f224b9b41d77b305db715abb56728dc7fd78a90cbe264b3/06_ADAM-INSTALL.jpg" /&#62;



&#60;img width="3682" height="3000" width_o="3682" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82c127bd5c69f78ca2b7a632fe1f5f795be130bd017af0c0f50ca2330827e9b2/07_TB_THE-HANDS.jpg" data-mid="236097952" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/82c127bd5c69f78ca2b7a632fe1f5f795be130bd017af0c0f50ca2330827e9b2/07_TB_THE-HANDS.jpg" /&#62;


	
		
		
	
	
		
			
				
					
Tina Barney
The Hands
2002Archival pigment print
48 x 60 inches121.92 x 152.40 cm

				
			
		
	



 &#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5defa85956e8473962bf9255521f081a34cb66100b27c0c5d93cc681348f411d/07.5_TB-DETAILjpg.jpg" data-mid="236098089" border="0"  src="https://freight.cargo.site/w/1000/i/5defa85956e8473962bf9255521f081a34cb66100b27c0c5d93cc681348f411d/07.5_TB-DETAILjpg.jpg" /&#62;


&#60;img width="2329" height="3000" width_o="2329" height_o="3000" data-src="https://freight.cargo.site/t/original/i/410765a2d24b37c3cd125f2d47b2ec41b7aa59c99dfc71be6e61a84c39a3dd1b/08_AM_PEDLAR-I.jpg" data-mid="236097976" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/410765a2d24b37c3cd125f2d47b2ec41b7aa59c99dfc71be6e61a84c39a3dd1b/08_AM_PEDLAR-I.jpg" /&#62;

	
		
		
	
	
		
			
				
					

				
			
		
	


	
		
		
	
	
		
			
				
					
Arthur Marie
The Pedlar I

					2025Oil on canvas13 x 91⁄2 inches
33.02 x 24.13 cm

				
			
		
	

&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/4ee45d9c577b5f3a1c47d457240c046dc860de835d1bc80845b127714f8898c8/08.5_AM_PEDLAR-I.jpg" data-mid="236098457" border="0"  src="https://freight.cargo.site/w/1000/i/4ee45d9c577b5f3a1c47d457240c046dc860de835d1bc80845b127714f8898c8/08.5_AM_PEDLAR-I.jpg" /&#62;


&#60;img width="2329" height="3000" width_o="2329" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4bcd4a88ce46231d5afe559f47da524028dbdac600464110b307503acb510886/09_AM_PEDLAR-II.jpg" data-mid="236097983" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/4bcd4a88ce46231d5afe559f47da524028dbdac600464110b307503acb510886/09_AM_PEDLAR-II.jpg" /&#62;
Arthur Marie
The Pedlar II2025Oil on canvas13 x 91⁄2 inches
33.02 x 24.13 cm

&#60;img width="3000" height="2142" width_o="3000" height_o="2142" data-src="https://freight.cargo.site/t/original/i/2257037e75778588aebbbda5830bb4a65966e6af315dd55371026e1abe0b9b66/09.5_AM_PEDLAR-II.jpg" data-mid="236098460" border="0"  src="https://freight.cargo.site/w/1000/i/2257037e75778588aebbbda5830bb4a65966e6af315dd55371026e1abe0b9b66/09.5_AM_PEDLAR-II.jpg" /&#62;

&#60;img width="2329" height="3000" width_o="2329" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1c4bca397654953ec64782bb3d5f759503a5b82b926529b1283a4f1257e8b4e1/10_AM_PEDLAR-III.jpg" data-mid="236098269" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/1c4bca397654953ec64782bb3d5f759503a5b82b926529b1283a4f1257e8b4e1/10_AM_PEDLAR-III.jpg" /&#62;Arthur Marie
The Pedlar III2025Oil on canvas13 x 91⁄2 inches
33.02 x 24.13 cm

&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/d812bd3c6c25cd8bb9335cc0f7eab3a130d27b14437c83d061cef72a30836120/10.5_AM_PEDLAR-III.jpg" data-mid="236098486" border="0"  src="https://freight.cargo.site/w/1000/i/d812bd3c6c25cd8bb9335cc0f7eab3a130d27b14437c83d061cef72a30836120/10.5_AM_PEDLAR-III.jpg" /&#62;

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Carissa Rodriguez
Succulents
2015Grass-fed beef bones
prepared in broth by

Three Stone Hearth – a
worker-owned 
food
cooperative in Berkeley,
California 
specializing
in the preparation and
local distribution of

nutrient-dense meals and
mineral-rich bone broths.

Dimensions variable

Unique

				
			
		
	



&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/996d4f95154b4dbda4c7c2fd315b4d6d01a2e8ecc54ae6fca52d530846706589/11.5_CR.jpg" data-mid="236098385" border="0"  src="https://freight.cargo.site/w/1000/i/996d4f95154b4dbda4c7c2fd315b4d6d01a2e8ecc54ae6fca52d530846706589/11.5_CR.jpg" /&#62;


&#60;img width="3000" height="2643" width_o="3000" height_o="2643" data-src="https://freight.cargo.site/t/original/i/1474c21d37b7530f779ae8be3f3024bec7cc34405c1055155a1dba8a642060e9/12_RS_ASTOR-SON.jpg" data-mid="236098388" border="0"  src="https://freight.cargo.site/w/1000/i/1474c21d37b7530f779ae8be3f3024bec7cc34405c1055155a1dba8a642060e9/12_RS_ASTOR-SON.jpg" /&#62;

	
		
		
	
	
		
			
				
					
Rose SalaneBrooke Astor’s Son’s
Matchbook Collection

2025Matchbooks343⁄4 x 403⁄4 inches
88.27 x 103.50 cm

				
			
		
	



&#60;img width="2919" height="1946" width_o="2919" height_o="1946" data-src="https://freight.cargo.site/t/original/i/b3f8177765053647b13e76a6605a920696bbf5e0325e9b7e0ec0c44eb0a29b6e/12.5_RS.jpg" data-mid="236098390" border="0"  src="https://freight.cargo.site/w/1000/i/b3f8177765053647b13e76a6605a920696bbf5e0325e9b7e0ec0c44eb0a29b6e/12.5_RS.jpg" /&#62;

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		<title>Oliver Osborne Comic Sans</title>
				
		<link>https://francisirv.com/Oliver-Osborne-Comic-Sans</link>

		<pubDate>Sat, 17 May 2025 16:49:36 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

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Oliver Osborne
Comic Sans
May 6th -&#38;nbsp; June 14th, 2025




	

	
		
		
	
	
		
			
				
					



	
		
		
	
	
		
			
				
					

	
		
		
	
	
		
			
				
					
What are days for?Days are where we live.

They come, they wake us

Time and time over.They are to be happy in:

Where can we live but days?

					
Ah, solving that question

Brings the priest and the doctor
In their long coatsRunning over the fields.

					
—“Days” by
Philip Larkin

					
Around 1485, the painter Filippino Lippi produced a portrait of an unnamed young man. Angled to the left, the Renaissance
subject has pale but luminous skin, curly brown hair; he wears a crimson cap and a blue padded jacket. Lippi had recently
completed Masaccio’s frescoes in the Brancacci Chapel in Florence—it is from the evidence of that earlier work that Lippi was
credited with this painting (his tutor Botticelli was initially understood to have been the originator).

					
540 years later, Oliver Osborne presents Portrait of a Youth (After Filippino Lippi) III in his first solo show with Francis Irv in New York. Using Lippi’s subject, he is set against a clear blue sky framed by the edges of a stone window, opening out to an
untold vista. The background in Osborne’s tribute painting to Lippi is more visually complicated; the work is an altogether taller
expanse of pale gradations and cerulean washes. Instead of a window frame, an amorphous portal of submarine blue introduces
another spatial dimension behind the subject’s head. The portrait is further made interesting by an under-imposed image of a
younger boy’s face, his eyes gazing out from above the sitter’s left shoulder. His diaphanous apparition is ghostly, its effect akin
to time-lapse. (It is the prevailing sense of contingency in this painting that makes it possible to think, then, of Gerhard Richter’s
Betty.)

					
The essential and dynamic quality of Osborne’s work resides in his teasing-out of dogmas about artistic influence. It has been
quipped that he is a “new Old Master.” The painter is evidently schooled—steeped, even—in art historical tropes and
techniques. But Osborne gives himself permission to mess with the canon and ideas around convention and aesthetic purity. He
works with distinct freedom from the baggage that accompanies the anxiety of influence—it’s a compelling lack thereof.

					
One conceptual work included in the show, titled Comic Sans, beams with lemon-yellow optimism and poses an immediate
riddle about position and the occupation of space. This is the kind of gesture by Osborne that gives us license to see a kind of
Kippenbergergian irreverence in his oeuvre. Those title words rendered in letters shaped decidedly unlike what the viewer might
assume, given the subject’s recognizable ubiquity. Maligned and beloved, most typeface designers simply refer to Comic Sans
simply as a “comic type.” (Its creator, Vincent Connare, is reported to have referred to it as “the best joke I’ve ever told.”)

					
Osborne uses Lead-Tin Yellow paint, which is often dubbed the “Yellow of the Old Masters”. The inherent richness of this
pigment lifts the light within the flesh of children—the artist’s own sons—in the four untitled portraits in the exhibition. These
are unsentimental and extraordinary, with strange, intimate gazes and postures. From Untitled (May) to the later iteration of the
same portrait, the boy subject’s apprehension grows eerily more knowing, while asserting his childlike vantage point. Stripped
of nostalgia, this series nonetheless brings to mind Richard Linklater’s film Boyhood, in all its reconstructive passion and
longitudinal tracking. Osborne loops back, again and again, and there is no room for accidental repetitions.

					
Osborne’s sincerity as a painter is established by the intricacy of his brushwork; the sleights of perspective; his devotion to the
daily work of a studio artist. Nowhere is this as discernible as in The Sleeping Guard, in which the shadow and contours on
herringbone canvas throw into rich relief the model’s gentle postural collapse, the curve of his delicate philtrum and the index
finger pointing down. This painting borrows the idea of dutiful repose that one can see in Piero della Francesca’s detail in The
Resurrection, but the hybridized inversion of both character (a child versus a man) and the placement of hands signals what
Osborne is so adept at provoking: all artists descend from a long line of predecessors, but it is the time over again—for this
artist, that certainty of repeated days and Philip Larkin’s “time and time over”—that brings this work so firmly into the
contemporary.

					
— Emmie Francis


				
			
		
	


				
			
		
	


				
			
		
	





&#38;nbsp;

				
			
		
	




 













	
		
		
	
	
		
			
				
					
Oliver Osborne (b. 1985, Edinburgh) lives and works in Berlin. Selected solo exhibtions have been held at Fondazione ICA
Milano (forthcoming); Union Pacific, London (2025, 2022); Tanya Leighton Gallery, Berlin &#38;amp; Los Angeles (2024, 2023);
Marc Jancou, Saanen (2024); Galeria Pelaires, Palma de Mallorca (2023); JVDW, Düsseldorf (2022); Braunsfelder, Cologne
(2020); Giò Marconi, Milan (2019) and Bonner Kunstverein, Bonn (2018). Selected group exhibitions have been held at
Seishodo THE ROOM, Kyoto (2024); Paulina Caspari Gallery, Munich (2024); C L E A R I N G, New York (2024); Francis
Irv, New York (2024); Hamburger Kunsthalle, Hamburg, Germany (2020); Peles Empire, Berlin, Germany (2019); Galerie
Max Hetzler (2017); Inverleith House, Edinburgh (2017); Museo di Capodimonte, Naples and Sprovieri, Italy (2014).

				
			
		
	




 



&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b83fd25baddd01ea6d1b43f79f5c8aaa20b1a248bfd112bbb7375e2834b7e0c0/Oliver-Osborne-at-Francis-Irv_01.jpg" data-mid="233326620" border="0"  src="https://freight.cargo.site/w/1000/i/b83fd25baddd01ea6d1b43f79f5c8aaa20b1a248bfd112bbb7375e2834b7e0c0/Oliver-Osborne-at-Francis-Irv_01.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/ed3d588c88f33a72525cdab2be9acbd1648e7c702076125d6825ef1f22689141/Oliver-Osborne-at-Francis-Irv_02.jpg" data-mid="233326622" border="0"  src="https://freight.cargo.site/w/1000/i/ed3d588c88f33a72525cdab2be9acbd1648e7c702076125d6825ef1f22689141/Oliver-Osborne-at-Francis-Irv_02.jpg" /&#62;
&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/4efe8b00e27a285576c70a28392380b551e2faa7912b2882e809e4e1842eb701/Oliver-Osborne-at-Francis-Irv_03.jpg" data-mid="233326623" border="0"  src="https://freight.cargo.site/w/1000/i/4efe8b00e27a285576c70a28392380b551e2faa7912b2882e809e4e1842eb701/Oliver-Osborne-at-Francis-Irv_03.jpg" /&#62;&#60;img width="6765" height="4536" width_o="6765" height_o="4536" data-src="https://freight.cargo.site/t/original/i/17238fcc1f9fd0e3552fc9da3b33446b8e828dbcf5586cbe63417a83507195e7/Oliver-Osborne-at-Francis-Irv_04.jpg" data-mid="233326629" border="0"  src="https://freight.cargo.site/w/1000/i/17238fcc1f9fd0e3552fc9da3b33446b8e828dbcf5586cbe63417a83507195e7/Oliver-Osborne-at-Francis-Irv_04.jpg" /&#62;&#60;img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/f3a395d54f34e42fbdf256dd53241cbc1fa9a876ff2548725dfbc5e5bb412999/Oliver-Osborne-At-Francis-Irv_04.5.jpg" data-mid="233326624" border="0"  src="https://freight.cargo.site/w/1000/i/f3a395d54f34e42fbdf256dd53241cbc1fa9a876ff2548725dfbc5e5bb412999/Oliver-Osborne-At-Francis-Irv_04.5.jpg" /&#62;&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/c09d8c01437a33488fd83e666b1081539493c228d368b9958a98b17ee49e5feb/Oliver-Osborne-at-Francis-Irv_05.jpg" data-mid="233326626" border="0"  src="https://freight.cargo.site/w/1000/i/c09d8c01437a33488fd83e666b1081539493c228d368b9958a98b17ee49e5feb/Oliver-Osborne-at-Francis-Irv_05.jpg" /&#62;&#60;img width="2650" height="3000" width_o="2650" height_o="3000" data-src="https://freight.cargo.site/t/original/i/678304e1983f4d5bbea5fd9af339cdd820d29b299caf223503b1934c604bd26a/Oliver-Osborne-at-Francis-Irv_06.jpg" data-mid="233326630" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/678304e1983f4d5bbea5fd9af339cdd820d29b299caf223503b1934c604bd26a/Oliver-Osborne-at-Francis-Irv_06.jpg" /&#62;
Oliver Osborne
Untitled (May)
2024-25
Oil on herringbone linen
9⅞ x 7⅞ x 1⅛ in.
25.00 x 20.00 x 3.00 cm
15 x 13 x 2⅜ in. (framed)
38.00 x 33.00 x 6.00 cm (framed)


 &#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/687261418e9c9943de80235901874abcd40bedd488086119032a92559c3b5d7a/OO.25.001-300_L-DETAIL.jpg" data-mid="233326631" border="0"  src="https://freight.cargo.site/w/1000/i/687261418e9c9943de80235901874abcd40bedd488086119032a92559c3b5d7a/OO.25.001-300_L-DETAIL.jpg" /&#62;


&#60;img width="2606" height="3000" width_o="2606" height_o="3000" data-src="https://freight.cargo.site/t/original/i/1ebc39a6c9fe884265ca6931241e693b8a990cd97a8c466396bc61ad704bba0f/Oliver-Osborne-at-Francis-Irv_07.jpg" data-mid="233326636" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/1ebc39a6c9fe884265ca6931241e693b8a990cd97a8c466396bc61ad704bba0f/Oliver-Osborne-at-Francis-Irv_07.jpg" /&#62;

	
		
		
	
	
		
			
				
					

				
			
		
	
Oliver OsborneComic Sans
2025Oil on herringbone linen50½ x 43½ x 1⅛ in.128.30 x 110.50 x 3.00 cm51¼ x 44¼ x 2 in. (framed)130.30 x 112.50 x 5.00 cm (framed)

&#60;img width="2819" height="2254" width_o="2819" height_o="2254" data-src="https://freight.cargo.site/t/original/i/624213e1173046ba4f607084f57b6c685a1970963319c4b6ee0fd1649fc51822/OO.25.014-300_L-DETAIL.jpg" data-mid="233326637" border="0"  src="https://freight.cargo.site/w/1000/i/624213e1173046ba4f607084f57b6c685a1970963319c4b6ee0fd1649fc51822/OO.25.014-300_L-DETAIL.jpg" /&#62;

&#60;img width="2689" height="3000" width_o="2689" height_o="3000" data-src="https://freight.cargo.site/t/original/i/89a2e5141320d04c02f1b55057468b86f652cbfae200be981266549cd7a90f46/Oliver-Osborne-at-Francis-Irv_08.jpg" data-mid="233326639" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/89a2e5141320d04c02f1b55057468b86f652cbfae200be981266549cd7a90f46/Oliver-Osborne-at-Francis-Irv_08.jpg" /&#62;Oliver Osborne
Multi-Figure Composition
 2024-25
Oil on herringbone linen
13¾ x 11¾ x 1⅛ in.
35.00 x 30.00 x 3.00 cm
18⅞ x 16⅞ x 2⅜ in. (framed)
48.00 x 43.00 x 6.00 cm (framed)


&#60;img width="4195" height="2997" width_o="4195" height_o="2997" data-src="https://freight.cargo.site/t/original/i/58aca4d6e0f76e6777106029e8962a280587343fa98884fb7c04089d8b3d4966/OO.25.003-300_L-DETAIL.jpg" data-mid="233326652" border="0"  src="https://freight.cargo.site/w/1000/i/58aca4d6e0f76e6777106029e8962a280587343fa98884fb7c04089d8b3d4966/OO.25.003-300_L-DETAIL.jpg" /&#62;

&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4bf5e5ceb5c1becc70c9d06596f551522a0e8ac1a87c37322f18f3a5d56f4e8f/Oliver-Osborne-at-Francis-Irv_09.jpg" data-mid="233326654" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/4bf5e5ceb5c1becc70c9d06596f551522a0e8ac1a87c37322f18f3a5d56f4e8f/Oliver-Osborne-at-Francis-Irv_09.jpg" /&#62;Oliver Osborne
Portrait of a Youth (after Filippino Lippi) III
2025
Oil on linen
50½ x 17⅞ x 1⅛ in.
128.30 x 45.30 x 3.00 cm
54 x 21⅜ x 2⅜ in. (framed)
137.30 x 54.30 x 6.00 cm (framed)


&#60;img width="3147" height="2248" width_o="3147" height_o="2248" data-src="https://freight.cargo.site/t/original/i/4f66550322dc75fdb2693857a671ac4457831217a5a0c78983bafad6ee270b73/OO.25.006-300_L-DETAIL.jpg" data-mid="233326655" border="0"  src="https://freight.cargo.site/w/1000/i/4f66550322dc75fdb2693857a671ac4457831217a5a0c78983bafad6ee270b73/OO.25.006-300_L-DETAIL.jpg" /&#62;&#60;img width="2209" height="3000" width_o="2209" height_o="3000" data-src="https://freight.cargo.site/t/original/i/aa91934d4cd0fc07eb84d96f598bad90ff4deae600cb773a770baf92bbbfdd5c/Oliver-Osborne-at-Francis-Irv_10.jpg" data-mid="233326656" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/aa91934d4cd0fc07eb84d96f598bad90ff4deae600cb773a770baf92bbbfdd5c/Oliver-Osborne-at-Francis-Irv_10.jpg" /&#62;Oliver Osborne
Untitled
2025
Oil on herringbone linen
19¾ x 11¾ x 1⅛ in.
50.00 x 30.00 x 3.00 cm
24¾ x 16⅞ x 2⅜ in. (framed)
63.00 x 43.00 x 6.00 cm (framed)


&#60;img width="3937" height="2813" width_o="3937" height_o="2813" data-src="https://freight.cargo.site/t/original/i/8d2678298b84fba8075adefe722bfea14c296fdef6c2d785db077aa8cfdbdaf2/OO.25.005-300_L-DETAIL.jpg" data-mid="233326657" border="0"  src="https://freight.cargo.site/w/1000/i/8d2678298b84fba8075adefe722bfea14c296fdef6c2d785db077aa8cfdbdaf2/OO.25.005-300_L-DETAIL.jpg" /&#62;


&#60;img width="2128" height="3000" width_o="2128" height_o="3000" data-src="https://freight.cargo.site/t/original/i/216892bb8b551812cf32b6aea687b651abe1bfa8640a543750621d9a2de2a368/Oliver-Osborne-at-Francis-Irv_11.jpg" data-mid="233326658" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/216892bb8b551812cf32b6aea687b651abe1bfa8640a543750621d9a2de2a368/Oliver-Osborne-at-Francis-Irv_11.jpg" /&#62;Oliver OsborneThe Sleeping Guard
2025Oil on herringbone linen29¾ x 17⅞ x 1⅛ in.75.50 x 45.50 x 3.00 cm34⅞ x 23 x 2⅜ in. (framed)88.50 x 58.50 x 6.00 cm (framed)


&#60;img width="3512" height="2509" width_o="3512" height_o="2509" data-src="https://freight.cargo.site/t/original/i/c480161f1707c71e3baebd7fde1742872f3d564d41dbcee7fea380af0fe71a0c/OO.25.011-300_L-DETAIL.jpg" data-mid="233326664" border="0"  src="https://freight.cargo.site/w/1000/i/c480161f1707c71e3baebd7fde1742872f3d564d41dbcee7fea380af0fe71a0c/OO.25.011-300_L-DETAIL.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Osama Al Rayyan Poets or Poems</title>
				
		<link>https://francisirv.com/Osama-Al-Rayyan-Poets-or-Poems</link>

		<pubDate>Tue, 28 Jan 2025 19:13:55 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/Osama-Al-Rayyan-Poets-or-Poems</guid>

		<description>


	
Osama Al RayyanPoets or Poems
March 26 - April 26, 2025 




	

	
		
		
	
	
		
			
				
					



	
		
		
	
	
		
			
				
					
Francis Irv is pleased to announce the opening of Osama Al Rayyan’s Poets or Poems. This is the artist’s first solo
exhibition with the gallery and his first in New York.

					
Can a painting be a poem and its author a poet?
Can a painting be a poet and its subject a poem?
Can a painting be a poem and its subject a poet?
Can a painting be a poet and its author a poem?

					
The paintings of Osama occupy this ambivalence. The formal structure of the work and the figures that populate
it have no separation. There is no before and after, no setting, no narrative, no dialect of allusions. Yet, there are
precise elements that make the paintings: There is speed, or what we perceive as speed, and the confidence in
their making—the paintings are built. Then, there is air; things breathe, but an air that has crystallized, a very
dense air, like honey or resin turning into amber.

					
For this show, straight lines have surfaced more prominently. They delimit a space, offering a more defined per-
spective. Often, we are on the other side; the lines cut the space horizontally, turning into a wall or containment
device. The lines keep us out or keep them in. The lines are a formal expedient, looking as if they were used to
clean up the brush from loaded color or just to slice. I think they are purely ways to deal with the space of the
canvas—and the artist, when asked, was of the same opinion. But as much as the structure and the subjects have
such a strong bond, this cannot be said about the viewer who sits outside while the figures in the paintings turn
their backs, or just look away.

					
- Giangiacomo Rossetti

				
			
		
	


				
			
		
	





&#38;nbsp;

				
			
		
	




 











Osama Al Rayyan (b. 1995, Damascus) lives and works in Basel. Selected solo exhibitions include Braunsfelder, Cologne (2024); Mendes Wood DM, Brussels (2024); Galleria Federico Vavassori, Milan (2022, 2021); Magic Stop, Lausanne (2022). Selected group exhibitions have been held at Francis Irv, New York (2024); Ex-Cinema Eldorado, Lausanne (2023); Kunsthalle Zürich, Zürich (2023); Mendes Wood DM at d’Ouwe Kerke, Retranchement (2023); suns. works, Zurich (2022); Galleria Federico Vavassori, Milan (2022); Sonnenstube, Lugano (2022); Kunsthaus Baselland, Basel (2021 &#38;amp; 2019); Riverside, Basel (2021).



 



&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4410628397b70d4dd553684bbf10b1b27ed6da7efd11d86273a8b34d73806411/01_al_rayyan_francis_irv_2025_18.jpg" data-mid="229277576" border="0"  src="https://freight.cargo.site/w/1000/i/4410628397b70d4dd553684bbf10b1b27ed6da7efd11d86273a8b34d73806411/01_al_rayyan_francis_irv_2025_18.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/365f97fd5946754512591047317846fb373423470eb11268140808ed2035c922/02_al_rayyan_francis_irv_2025_10.jpg" data-mid="229277581" border="0"  src="https://freight.cargo.site/w/1000/i/365f97fd5946754512591047317846fb373423470eb11268140808ed2035c922/02_al_rayyan_francis_irv_2025_10.jpg" /&#62;&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/814ec502fa78f10ea4dcbb150af91343cf7821633a9a9f507545a4848741284a/03_al_rayyan_francis_irv_2025_12.jpg" data-mid="229277583" border="0"  src="https://freight.cargo.site/w/1000/i/814ec502fa78f10ea4dcbb150af91343cf7821633a9a9f507545a4848741284a/03_al_rayyan_francis_irv_2025_12.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6566354b8e4e234e850a3a3be5a0a2fc4097218044b788204f6f96b8c5546e84/04_al_rayyan_francis_irv_2025_11.jpg" data-mid="229277606" border="0"  src="https://freight.cargo.site/w/1000/i/6566354b8e4e234e850a3a3be5a0a2fc4097218044b788204f6f96b8c5546e84/04_al_rayyan_francis_irv_2025_11.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6557d640c5bd6f30acd8645c92b507abb23360d5de1e0ad47fb57e198f15e833/05_al_rayyan_francis_irv_2025_15.jpg" data-mid="229277626" border="0"  src="https://freight.cargo.site/w/1000/i/6557d640c5bd6f30acd8645c92b507abb23360d5de1e0ad47fb57e198f15e833/05_al_rayyan_francis_irv_2025_15.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/841a505bc6cbe0202e3c17853409e67c8df8af76d443785dce07718b6801620e/08_al_rayyan_francis_irv_2025_17.jpg" data-mid="229277627" border="0"  src="https://freight.cargo.site/w/1000/i/841a505bc6cbe0202e3c17853409e67c8df8af76d443785dce07718b6801620e/08_al_rayyan_francis_irv_2025_17.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/937cf45830b221254f1ead88fb2a3d24fb63f0453bb4409d0104a781e32d4e92/09_al_rayyan_francis_irv_2025_13.jpg" data-mid="229277637" border="0"  src="https://freight.cargo.site/w/1000/i/937cf45830b221254f1ead88fb2a3d24fb63f0453bb4409d0104a781e32d4e92/09_al_rayyan_francis_irv_2025_13.jpg" /&#62;
&#60;img width="2090" height="3000" width_o="2090" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3a33f97982a4640057971c29184129f409f56f376170db10f39d370a97b5dbcf/10_al_rayyan_francis_irv_2025_22.jpg" data-mid="229277642" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/3a33f97982a4640057971c29184129f409f56f376170db10f39d370a97b5dbcf/10_al_rayyan_francis_irv_2025_22.jpg" /&#62;
Osama Al RayyanUntitled
2025Oil on canvas31½ x 20⅞ in.80.00 x 53.00 cm


 &#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6c1bb97b0858facc9e7daa5d7c1f2067247a89d060c46b1257c8a2abd7e8f536/11_al_rayyan_francis_irv_2025_7.jpg" data-mid="229277654" border="0"  src="https://freight.cargo.site/w/1000/i/6c1bb97b0858facc9e7daa5d7c1f2067247a89d060c46b1257c8a2abd7e8f536/11_al_rayyan_francis_irv_2025_7.jpg" /&#62;


&#60;img width="2645" height="3000" width_o="2645" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8efdecd05bb773d63808d1f6e26edeef93355a1b747bc38e7e6414e40afcbca6/13_al_rayyan_francis_irv_shadow_2025_1-copy.jpg" data-mid="229277786" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/8efdecd05bb773d63808d1f6e26edeef93355a1b747bc38e7e6414e40afcbca6/13_al_rayyan_francis_irv_shadow_2025_1-copy.jpg" /&#62;Osama Al RayyanUntitled
2025Oil on canvas63 x 55⅛ in.160.00 x 140.00 cm

&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/db7ae2aad89c3811a9ccbc84562e02bcaa01b13925241598802815f2bb1c6111/14_al_rayyan_francis_irv_2025_6.jpg" data-mid="229277774" border="0"  src="https://freight.cargo.site/w/1000/i/db7ae2aad89c3811a9ccbc84562e02bcaa01b13925241598802815f2bb1c6111/14_al_rayyan_francis_irv_2025_6.jpg" /&#62;

&#60;img width="2201" height="3000" width_o="2201" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9ac93d7c1904c8aef06c3a7db179aa1562534ddfd580a0c2e128b5ef8342a012/16_al_rayyan_francis_irv_2025_21-2.jpg" data-mid="229277796" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/9ac93d7c1904c8aef06c3a7db179aa1562534ddfd580a0c2e128b5ef8342a012/16_al_rayyan_francis_irv_2025_21-2.jpg" /&#62;Osama Al RayyanUntitled
2025Oil on canvas27½ x 20⅞ in.70.00 x 53.00 cm


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b5a9af8bc4e451ce1c4cc859c5b69df0d002f28a4a498d0e0a0fd8dbb74120c3/17_al_rayyan_francis_irv_2025_8.jpg" data-mid="229277798" border="0"  src="https://freight.cargo.site/w/1000/i/b5a9af8bc4e451ce1c4cc859c5b69df0d002f28a4a498d0e0a0fd8dbb74120c3/17_al_rayyan_francis_irv_2025_8.jpg" /&#62;

&#60;img width="2647" height="3000" width_o="2647" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8f92bbb45d2b7af876bbf9937e1f41dc2279b4573998de4c2f0b785fb06d1dac/19_al_rayyan_francis_irv_2025_19.jpg" data-mid="229277800" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/8f92bbb45d2b7af876bbf9937e1f41dc2279b4573998de4c2f0b785fb06d1dac/19_al_rayyan_francis_irv_2025_19.jpg" /&#62;Osama Al RayyanUntitled
2024Oil on canvas55 1/8 x 47 1/4 in.140.00 x 120.00 cm


&#60;img width="3000" height="1995" width_o="3000" height_o="1995" data-src="https://freight.cargo.site/t/original/i/808ba27494e2551bdfb8889d80ba7f7cc68535deb8a78eeca57a71b2c6465f29/20_al_rayyan_francis_irv_2025_5.jpg" data-mid="229277801" border="0"  src="https://freight.cargo.site/w/1000/i/808ba27494e2551bdfb8889d80ba7f7cc68535deb8a78eeca57a71b2c6465f29/20_al_rayyan_francis_irv_2025_5.jpg" /&#62;&#60;img width="2711" height="3000" width_o="2711" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cf6982d8a06d46ca8f328b8fa8352c9f6b6bafee4574bf6b407dccfc6e22bd98/22_al_rayyan_francis_irv_2025_20-2.jpg" data-mid="229277809" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/cf6982d8a06d46ca8f328b8fa8352c9f6b6bafee4574bf6b407dccfc6e22bd98/22_al_rayyan_francis_irv_2025_20-2.jpg" /&#62;Osama Al RayyanUntitled, 2025Oil on canvas63 x 55⅛ in.160.00 x 140.00 cm


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/070ae34f18dccfb0b5976cca980cc42a302259e727ce164dab42a997b45d7095/23_al_rayyan_francis_irv_shadow_2025_26.jpg" data-mid="229277811" border="0"  src="https://freight.cargo.site/w/1000/i/070ae34f18dccfb0b5976cca980cc42a302259e727ce164dab42a997b45d7095/23_al_rayyan_francis_irv_shadow_2025_26.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Minh-Lan Tran Devotion Disorder</title>
				
		<link>https://francisirv.com/Minh-Lan-Tran-Devotion-Disorder</link>

		<pubDate>Wed, 02 Apr 2025 19:17:10 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/Minh-Lan-Tran-Devotion-Disorder</guid>

		<description>


	
Minh-Lan TranDevotion disorder

January 22nd - March 1st, 2025
	

	
		
		
	
	
		
			
				
					

Invisible presences tug us this way and that, luring us one way and regularly deflecting us onto different paths, but seldom
are they described. Minh Lan Tran works to give form to such presences in order to lay them to rest. The artist crafts her
own egg tempera in a process borrowed from traditional techniques used for early Byzantine icon paintings—an era in
which theories of the image and the ethics of representing the divine began to be negotiated. She breaks the methods apart
as she shreds, burns, and battles her surfaces that look like the slits of a veil. Tran’s titles suggest innards and fault lines on
the body, the matter that arises after cataclysmic disruptions fissure the mind. Engaging in a politics of utterance, the artist
aims to restore a power to signify, and give birth to an expression of experience by experience. She listens for the divine
utterance that she seeks to make manifest, flirting with the bond between the flesh and the idea, between the image and the
spirit that experiences of the visible world disclose. If consciousness is a shield against the wound that constitutes desire
and being, this lack is beyond anything which can represent it; it is only ever represented as a reflection on a veil.

					
- Hiji Nam

				
			
		
	




















	
		
		
	
	
		
			
				
					
Minh-Lan Tran (b. 1997, Hong Kong) lives and works in Paris. Selected solo exhibitions have been held at Parliament,
Paris (2024); Jan Kaps, Cologne (2023); Harlesdon High Street, London (2023); and a performance at Sadie Coles, Lon-
don (2023). Selected group exhibitions have been held at Balice Hertling, Paris (2024); High Art, Seoul (2024); François
Ghebaly, Los Angeles (2024); Francis Irv, New York (2024); Museum of the Home, London (2023); Jan Kaps, Cologne
(2023); House, Berlin (2023); and Roman Road, London (2023). Tran graduated from Courtauld Institute (MA Byzantine
Studies) in 2020 and Royal College of Art (MA Painting) in 2023.

				
			
		
	




 












&#60;img width="3000" height="2244" width_o="3000" height_o="2244" data-src="https://freight.cargo.site/t/original/i/16756d4a441d9a5aa3abdb5b4de16ee506b7db8cb09280b4529dce8a3d7dbacb/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_01.jpg" data-mid="229170597" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/16756d4a441d9a5aa3abdb5b4de16ee506b7db8cb09280b4529dce8a3d7dbacb/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_01.jpg" /&#62;&#60;img width="3000" height="2282" width_o="3000" height_o="2282" data-src="https://freight.cargo.site/t/original/i/a4cb26b7d95000fe58e919241faa6f0c07b4218cf1482b1fcdc2e30f4f4b0929/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_02.jpg" data-mid="229170598" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/a4cb26b7d95000fe58e919241faa6f0c07b4218cf1482b1fcdc2e30f4f4b0929/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_02.jpg" /&#62;&#60;img width="3000" height="2152" width_o="3000" height_o="2152" data-src="https://freight.cargo.site/t/original/i/849560ed0114d0f54eaca796210a59be71f4f7815c184c3b7e87d78f3642f2bf/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_03.jpg" data-mid="229170599" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/849560ed0114d0f54eaca796210a59be71f4f7815c184c3b7e87d78f3642f2bf/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_03.jpg" /&#62;&#60;img width="3000" height="2286" width_o="3000" height_o="2286" data-src="https://freight.cargo.site/t/original/i/61c1d7e1e107e67ad15e6b0026a8a1d285ed9a2e68a906fa728e0511556859e4/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_04.jpg" data-mid="229170600" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/61c1d7e1e107e67ad15e6b0026a8a1d285ed9a2e68a906fa728e0511556859e4/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_04.jpg" /&#62;&#60;img width="3000" height="2226" width_o="3000" height_o="2226" data-src="https://freight.cargo.site/t/original/i/8f6710361c97f6921399ae7be82480188e80107d100906bc4dab11fa1534cc8d/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_05.jpg" data-mid="229170601" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/8f6710361c97f6921399ae7be82480188e80107d100906bc4dab11fa1534cc8d/Minh-Lan-Tran_Devotion-disorder_Francis-Irv_Install_05.jpg" /&#62;
&#60;img width="2298" height="3000" width_o="2298" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ba8818685569d4b45527eedd2929cd5e0f4c6da9e87281104df2a00ead8a2dd5/Minh-Lan-Tran_Blood-in-the-sun_2024.jpg" data-mid="229170604" border="0" data-scale="46" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/ba8818685569d4b45527eedd2929cd5e0f4c6da9e87281104df2a00ead8a2dd5/Minh-Lan-Tran_Blood-in-the-sun_2024.jpg" /&#62;
Minh-Lan Tran Blood in the sun2024Egg, pigment, paper, fabric and oil on linen47¼ x 29½ in.120.00 x 75.00 cm


 &#60;img width="3000" height="2142" width_o="3000" height_o="2142" data-src="https://freight.cargo.site/t/original/i/63ab7fc1297aac0a80744887b3422a526d023e7287888f38347f937cdd284dfd/Minh-Lan-Tran_Blood-in-the-sun_2024_Detail-01.jpg" data-mid="229170605" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/63ab7fc1297aac0a80744887b3422a526d023e7287888f38347f937cdd284dfd/Minh-Lan-Tran_Blood-in-the-sun_2024_Detail-01.jpg" /&#62;

&#60;img width="2407" height="3000" width_o="2407" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6029604a69b3ca9657a3ea8f0de02c1314c548193145b770955b3ea07141fd08/Minh-Lan-Tran_Primal-matter_2024.jpg" data-mid="229170602" border="0" data-scale="49" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/6029604a69b3ca9657a3ea8f0de02c1314c548193145b770955b3ea07141fd08/Minh-Lan-Tran_Primal-matter_2024.jpg" /&#62;Minh-Lan Tran
Primal matter
2024Egg, pigment, paper and oil on linen78¾ x 70⅞ in.200.00 x 180.00 cm

&#60;img width="3000" height="2120" width_o="3000" height_o="2120" data-src="https://freight.cargo.site/t/original/i/b200318089a3b1fd6e1c4f29d082d8d3bff1ce50bca9ac310ef7062c99df575e/Minh-Lan-Tran_Primal-matter_2024_Detail-01.jpg" data-mid="229170603" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/b200318089a3b1fd6e1c4f29d082d8d3bff1ce50bca9ac310ef7062c99df575e/Minh-Lan-Tran_Primal-matter_2024_Detail-01.jpg" /&#62;

&#60;img width="2264" height="3000" width_o="2264" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7f1ffc845cae6f6b29af82152f3207cf41724305f64fb400e24bf87a3e9f0c67/Minh-Lan-Tran_First-break_2024.jpg" data-mid="229170606" border="0" data-scale="41" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/7f1ffc845cae6f6b29af82152f3207cf41724305f64fb400e24bf87a3e9f0c67/Minh-Lan-Tran_First-break_2024.jpg" /&#62;Minh-Lan TranFirst break
2024Egg, pigment, paper, fabric and oil on linen70⅞ x 43¼ in.180.00 x 110.00 cm


&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/385bd9e2bf3116c3a364fefe83b1fbf7dc912da19f1db736204491b24301cb7f/Minh-Lan-Tran_First-break_2024_Detail-01.jpg" data-mid="229170607" border="0" alt="Minh-Lan Tran Devotion Disorder Francis Irv" data-caption="Minh-Lan Tran Devotion Disorder Francis Irv" src="https://freight.cargo.site/w/1000/i/385bd9e2bf3116c3a364fefe83b1fbf7dc912da19f1db736204491b24301cb7f/Minh-Lan-Tran_First-break_2024_Detail-01.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Condo London 2025</title>
				
		<link>https://francisirv.com/Condo-London-2025</link>

		<pubDate>Thu, 23 Jan 2025 17:59:42 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/Condo-London-2025</guid>

		<description>


	
Rachel Fäth and Zazou RoddamCondo London
Hosted by Brunette Coleman
January 18th - February 15th, 2025

Elephant Magazine
Flash-Art
Frieze
e-flux

Another Magazine
Dazed


	




	
		
		
	
	
		
			
				
					
Brunette Coleman, London and Francis Irv, New York are pleased to present a duo exhibition of new works by Rachel Fäth and Zazou
Roddam on the occasion of Condo London, 2025. Rachel Fäth debuts a new series of work entitled Lockers. Composed of discarded steel
scraps, their sculptural form is determined by the size constraints of the storage lockers at a community workspace, each work a negative
impression of a locker’s interior. Zazou Roddam sources her material through various public auctions and salvage yards, using unconventional modes of preservation to
retain evidence of the objects’ previous owners. Through a playful manipulation of form, Roddam questions how and what we attribute
significance to.



 












Rachel Fäth (b. 1991, Berlin) lives and works in New York. Selected solo and two-person exhibitions include le vite, Milan (2024);
Francis Irv, New York (2023); diez, Amsterdam (2023); Shahin Zarinbal, Berlin (2022); Loggia Loggia, Munich (2022); Mauer, Cologne
(2022). Selected group exhibitions have been held at Francis Irv, (2024); le vite, Milan (2024); Kai Matsumyia, New York (2023); New
Jörg, Vienna (2023); Shahin Zarinbal, Berlin (2022); Kunstverein Munich, Munich (2022); Lomex, New York (2022); Haus Wien, Vienna
(2021).

Zazou Roddam (b. 2000, London) lives and works in London. Recent exhibitions include: Hans Goodrich, Chicago (2024), Brunette
Coleman, London (2023), 126 Eldridge Street, New York (2023).



 












&#60;img width="2879" height="1920" width_o="2879" height_o="1920" data-src="https://freight.cargo.site/t/original/i/b2084183389129569bccd250f6bea1305f537de2268f3d2fa5308fb3cb646d22/BrunetteColeman_Ref-2688-9.jpg" data-mid="225409747" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/b2084183389129569bccd250f6bea1305f537de2268f3d2fa5308fb3cb646d22/BrunetteColeman_Ref-2688-9.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1e772577c243c63e46b8f2aeb5e43977c64df536c0155550fdee2000f2c64765/BrunetteColeman_Ref-2690-1.jpg" data-mid="225409756" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/1e772577c243c63e46b8f2aeb5e43977c64df536c0155550fdee2000f2c64765/BrunetteColeman_Ref-2690-1.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/130a0fa55fc3c6eda2da500c4f52f55cbd7d65314bd8a9db2203fbec57a95852/BrunetteColeman_Ref-2694-5.jpg" data-mid="225409757" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/130a0fa55fc3c6eda2da500c4f52f55cbd7d65314bd8a9db2203fbec57a95852/BrunetteColeman_Ref-2694-5.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4fde34d2405abfba61339e5e85490b21a4492a15c58edd300b823c578bed2c10/BrunetteColeman_Ref-2696-7.jpg" data-mid="225409758" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/4fde34d2405abfba61339e5e85490b21a4492a15c58edd300b823c578bed2c10/BrunetteColeman_Ref-2696-7.jpg" /&#62;&#60;img width="2877" height="1920" width_o="2877" height_o="1920" data-src="https://freight.cargo.site/t/original/i/5413fcabeb9d3970ee4236eb295a5371314f9b0446bf8391b6bc637a4a8561a1/BrunetteColeman_Ref-2699-702.jpg" data-mid="225409759" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/5413fcabeb9d3970ee4236eb295a5371314f9b0446bf8391b6bc637a4a8561a1/BrunetteColeman_Ref-2699-702.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2282474bf928baddc473fdec467f5f4fe42dca592c4da485ab259af5fac1c1e7/BrunetteColeman_Ref-2705-10.jpg" data-mid="225409760" border="0" alt="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel F&#38;auml;th are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " data-caption="Installation view of Brunette Coleman gallery during Condo. Two sculptures by Rachel Fäth are on the floor, while Zazou Roddam has a sculpture on mounted to the west wall, and a framed photograph on the east wall.  " src="https://freight.cargo.site/w/1000/i/2282474bf928baddc473fdec467f5f4fe42dca592c4da485ab259af5fac1c1e7/BrunetteColeman_Ref-2705-10.jpg" /&#62;

&#60;img width="3502" height="4903" width_o="3502" height_o="4903" data-src="https://freight.cargo.site/t/original/i/ffe68cf94bdcf70fb3dac4ec5261d3b45d2cadeb5681081fe8fd85379e783760/Rachel-Fath_Locker-5_01.jpg" data-mid="225409886" border="0" data-scale="71" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/ffe68cf94bdcf70fb3dac4ec5261d3b45d2cadeb5681081fe8fd85379e783760/Rachel-Fath_Locker-5_01.jpg" /&#62;Rachel FäthLocker 52024Steel22 x 9 x 14½ in.55.88 x 22.86 x 36.83 cm




&#60;img width="3397" height="4756" width_o="3397" height_o="4756" data-src="https://freight.cargo.site/t/original/i/e2fb1125c0d3966cbb666bd7a049a3db3cdf07f29e5b1a132bfb967964764a41/Rachel-Fath_Locker-5_02.jpg" data-mid="225409892" border="0" data-scale="72" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/e2fb1125c0d3966cbb666bd7a049a3db3cdf07f29e5b1a132bfb967964764a41/Rachel-Fath_Locker-5_02.jpg" /&#62;&#60;img width="3510" height="4914" width_o="3510" height_o="4914" data-src="https://freight.cargo.site/t/original/i/3d74e9d34140db5d2a1361010af8188c07a8c207055881be5a2ef01bcaae7ee8/Rachel-Fath_Locker-5_03.jpg" data-mid="225409894" border="0" data-scale="72" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/3d74e9d34140db5d2a1361010af8188c07a8c207055881be5a2ef01bcaae7ee8/Rachel-Fath_Locker-5_03.jpg" /&#62;&#60;img width="3452" height="4832" width_o="3452" height_o="4832" data-src="https://freight.cargo.site/t/original/i/0a463d759358946c1ca1f4fbe2d8253c71df65c2dc8c0527d1ce02d0561fa3fa/Rachel-Fath_Locker-5_04.jpg" data-mid="225409905" border="0" data-scale="73" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/0a463d759358946c1ca1f4fbe2d8253c71df65c2dc8c0527d1ce02d0561fa3fa/Rachel-Fath_Locker-5_04.jpg" /&#62;
&#60;img width="2142" height="3000" width_o="2142" height_o="3000" data-src="https://freight.cargo.site/t/original/i/af1b5e5a6227351b181cff54be8b0011ad6b07d57ef76e6ee697dcc529cf6b68/Rachel-Fath_Condo-2025_05.jpg" data-mid="225409925" border="0" data-scale="74" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/af1b5e5a6227351b181cff54be8b0011ad6b07d57ef76e6ee697dcc529cf6b68/Rachel-Fath_Condo-2025_05.jpg" /&#62;Rachel FäthLocker 6
2024Steel22 x 8 x 13 in.55.88 x 20.32 x 33.02 cm


&#38;nbsp;&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cece38e23f82173c07d41c2fb952b6ecf047f41a1568d878e7a8fd35595da909/Rachel-Fath_Condo-2025_06.jpg" data-mid="225409926" border="0" data-scale="74" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/cece38e23f82173c07d41c2fb952b6ecf047f41a1568d878e7a8fd35595da909/Rachel-Fath_Condo-2025_06.jpg" /&#62;&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f63e0a1d366f80234f4df24000b363e70975d5f4028dc75649f9da89a267eba0/Rachel-Fath_Condo-2025_07.jpg" data-mid="225409927" border="0" data-scale="75" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/f63e0a1d366f80234f4df24000b363e70975d5f4028dc75649f9da89a267eba0/Rachel-Fath_Condo-2025_07.jpg" /&#62;&#60;img width="2142" height="3000" width_o="2142" height_o="3000" data-src="https://freight.cargo.site/t/original/i/21f1aa658f7593610a151852ed57be73753f977df035eae785af7a05a7a86032/Rachel-Fath_Condo-2025_08.jpg" data-mid="225409928" border="0" data-scale="75" alt="Steel sculpture by the artist Rachel F&#38;auml;th" data-caption="Steel sculpture by the artist Rachel Fäth" src="https://freight.cargo.site/w/1000/i/21f1aa658f7593610a151852ed57be73753f977df035eae785af7a05a7a86032/Rachel-Fath_Condo-2025_08.jpg" /&#62;

&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/24003ab02c3d889439a3e6bdf2c91c9634b8032517dd83a14858adc421a04b1b/BrunetteColeman_Ref-2330-2.jpg" data-mid="225409944" border="0" data-scale="68" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/24003ab02c3d889439a3e6bdf2c91c9634b8032517dd83a14858adc421a04b1b/BrunetteColeman_Ref-2330-2.jpg" /&#62;Zazou Roddam
Lot 2454/ Lot 5152
 2024–2025
Crystal door handles with hardware,
plexiglass60.63 × 11.81 × 8.66 inches

154 x 30 x 22 cm


&#60;img width="1920" height="2879" width_o="1920" height_o="2879" data-src="https://freight.cargo.site/t/original/i/6036a3d8c932757a67ab554cc6092dd571444ff5925914ed0ddf45cb5c4000a5/BrunetteColeman_Ref-2319-20.jpg" data-mid="225409949" border="0" data-scale="68" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/6036a3d8c932757a67ab554cc6092dd571444ff5925914ed0ddf45cb5c4000a5/BrunetteColeman_Ref-2319-20.jpg" /&#62;
&#60;img width="1920" height="2878" width_o="1920" height_o="2878" data-src="https://freight.cargo.site/t/original/i/39ae2c41589bbed70912391c1e9452b09262a07004c7f51d6a07d8912709ed60/BrunetteColeman_Ref-2321-4.jpg" data-mid="225409954" border="0" data-scale="68" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/39ae2c41589bbed70912391c1e9452b09262a07004c7f51d6a07d8912709ed60/BrunetteColeman_Ref-2321-4.jpg" /&#62;


&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/8085ff84cc197d514a7bec07e80686ca33a2942c6a44152153d653e117426fe1/Lot-52-2.jpg" data-mid="225409965" border="0" alt="Framed photograph by Zazou Roddam" data-caption="Framed photograph by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/8085ff84cc197d514a7bec07e80686ca33a2942c6a44152153d653e117426fe1/Lot-52-2.jpg" /&#62;Zazou Roddam

Lot 52 (2)

2025
Polaroid print, framed12.6 × 17.13 × 1.57 inches

32×43.5×4cm


&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/985fdece38191c5d352da7158ad03dff5a0dcf6da41e982e51d261364c0882ee/BrunetteColeman_Ref-2292.jpg" data-mid="225410046" border="0" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/985fdece38191c5d352da7158ad03dff5a0dcf6da41e982e51d261364c0882ee/BrunetteColeman_Ref-2292.jpg" /&#62;Zazou Roddam

Desert Rose

2024-2025
Aluminium fans, stainless steel,
doorbell transformer and bell19.69 × 8.27 × 8.27 inches

50 x 21 x 21 cm



&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/b460e38a721d7223bc51fc4d465c64e2ea747afa9b61a917079ea3f5875e84a3/BrunetteColeman_Ref-2281.jpg" data-mid="225409970" border="0" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/b460e38a721d7223bc51fc4d465c64e2ea747afa9b61a917079ea3f5875e84a3/BrunetteColeman_Ref-2281.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/c4d8c674f7f8bb969990ac3c2eb3a1b6cb1fc28012f25bd7d8a66afa7e3be7b0/BrunetteColeman_Ref-2277.jpg" data-mid="225409968" border="0" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/c4d8c674f7f8bb969990ac3c2eb3a1b6cb1fc28012f25bd7d8a66afa7e3be7b0/BrunetteColeman_Ref-2277.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/558d9f43f3dddd07424657c94fa575c852ca802094b8a3c0bff5e2002a462e07/BrunetteColeman_Ref-5294.jpg" data-mid="225409974" border="0" alt="Sculpture by Zazou Roddam" data-caption="Sculpture by Zazou Roddam" src="https://freight.cargo.site/w/1000/i/558d9f43f3dddd07424657c94fa575c852ca802094b8a3c0bff5e2002a462e07/BrunetteColeman_Ref-5294.jpg" /&#62;
Documentation by Jack Elliot Edwads


</description>
		
	</item>
		
		
	<item>
		<title>Paris International 2024</title>
				
		<link>https://francisirv.com/Paris-International-2024</link>

		<pubDate>Fri, 12 Jan 2024 20:35:45 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/Paris-International-2024</guid>

		<description>

	Benjamin Echeverria
Paris Internationale&#38;nbsp;
October 15th - 20th, 2024.
	

Francis Irv is pleased to present an exhibition by Benjmain Echeverria for the 2024 edition of Paris Internationale. 

Echeverria’s process is one rooted in the revisiting of his archive – both an archive of physical, half-formed paintings and also a record of motifs and gestures,
subject to the same distortion and recycling across his oeuvre. Paintings are finished and finished again, cutting and recomposing one ending into another
beginning, a process through which the effacement and subsequent rehabilitation of the canvas becomes a recursive exercise. Within each successive
re-articulation of the painting, the previous compositions exist within the present as traces of themselves. Through this process, Echeverria’s paintings evoke the
process by which time is perceived, as both an accumulation of each past moment and a wholly singular moment at once.
Benjamin Echeverria&#38;nbsp;(b. 1980, Waterloo, IA) lives and works in Los Angeles. Selected solo exhibitions include Galerie Parisa Kind, Frankfurt am Main (2024, 2021); Francis Irv, New York (2023); Michael Benevento, Los Angeles (2022); Pose Falls, Bad Reputation, Los Angeles, CA (2020); Cups, Parapet Real Humans, St. Louis (2020); C.A.R., Green Drawing, Willie Mays, The Terror of Evidence, 3939, No Smoke, Bubbler, Corners Brought to Middle, Galerie Parisa Kind, Frankfurt am Main (2019). Selected group exhibitions include A String of Tongueless Bells, Francis Irv, New York (2024); Models, Bel Ami, Los Angeles (2024); Warm Invitations, Gattopardo, Los Angeles (2024); The Bower, Overduin &#38;amp; Co., Los Angeles (2023); Piano sale going on somewhere, Michael Benevento, Los Angeles (2023).



				
			
		
	




&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/92bd01a2d6b1b7f1f34abb7bd277c43dc22b26181a9ae7a197c4d43192bfe0a7/FrancisIrv_Ref-3720-3-2.jpg" data-mid="220018664" border="0"  src="https://freight.cargo.site/w/1000/i/92bd01a2d6b1b7f1f34abb7bd277c43dc22b26181a9ae7a197c4d43192bfe0a7/FrancisIrv_Ref-3720-3-2.jpg" /&#62;
&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/ad244635316f7e36b2375705d9b5d9e2f0d18a4d5b3211dd23a283a8d4732c1f/FrancisIrv_Ref-3731.jpg" data-mid="220020685" border="0"  src="https://freight.cargo.site/w/1000/i/ad244635316f7e36b2375705d9b5d9e2f0d18a4d5b3211dd23a283a8d4732c1f/FrancisIrv_Ref-3731.jpg" /&#62;&#60;img width="2880" height="1920" width_o="2880" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bbd374f5cf18e2702aad3f6fcc7fdcfd1409a20048ffa89d89eccc323c8b81ee/FrancisIrv_Ref-3749.jpg" data-mid="220020682" border="0"  src="https://freight.cargo.site/w/1000/i/bbd374f5cf18e2702aad3f6fcc7fdcfd1409a20048ffa89d89eccc323c8b81ee/FrancisIrv_Ref-3749.jpg" /&#62;
	



</description>
		
	</item>
		
		
	<item>
		<title>Win McCarthy Kingdom Come</title>
				
		<link>https://francisirv.com/Win-McCarthy-Kingdom-Come</link>

		<pubDate>Tue, 17 Sep 2024 16:42:29 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/Win-McCarthy-Kingdom-Come</guid>

		<description>


	
Win McCarthy&#38;nbsp;
Kingdom Come
September 7th - October 12th, 2024.

	














	
		
		
	
	
		
			
				
					

	
		
		
	
	
		
			
				
					













Everywhere glass, steel. 
Everywhere pigeon, rat, roach. 
What is the same here,same everywhere.Friend. Recognize.Coca cola same.Wristwatch same.Street corner same.
Delivery!
French words, English words. 
Equal, OK. I say, OK.
Café American. 


He goes....He goes hahaha, you can’t go like that.No. Don’t be no, OK.Don’t be lovely, OK.Be not OK, be not one more window,one more door.Up, outside, everything up.They say, he says,all rise must fall. All born must die.All this flatten to an inch, made of screws anyway, 
made of pieces.Everywhere then, return to pieces.Sorry!Walk, you see,walk know the way,rent don’t pay, haha, OK.Landlord dead, someday. We pray.Uptown, the Yankees play,Bronx River Parkway.Angry, angry, every day.Where I come to, they arrive,they know.War away, here OK.For now we, they,we know the weather.We know the wind blows;we know ocean air not too far away.We know, OK,freedom reign for those who pay. 


Here!Outside!Downstairs!
Buzzer?They go. Door Slammed!Angry now, don’t you be grateful, 
Kingdom Come, they say,all is done. 


Don’t say everywhere steel. 
Everywhere glass.You are here, around. 
Everyone. 
First breath, last breath. 
Everywhere.Dark, then light, then dark.Same second, same pulsing second. Same hour. 
Everyone idiot. Beautiful, beaming idiot. 
Stand. Sit.Always returnAlways rent free from then. 
Always, occurring. Until never. 
Never was. Never once. Not at all. 





				
			
		
	



















&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/59e8bed3d8cece986c6272483758d482d5294ddc73f462450601c4ecb2b98014/1A.JPG" data-mid="218206671" border="0"  src="https://freight.cargo.site/w/1000/i/59e8bed3d8cece986c6272483758d482d5294ddc73f462450601c4ecb2b98014/1A.JPG" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8f1030b7209d13633f7120908075ec8b15b14c32c1255d40787c8e0c2a5a203d/2A.jpg" data-mid="218206672" border="0"  src="https://freight.cargo.site/w/1000/i/8f1030b7209d13633f7120908075ec8b15b14c32c1255d40787c8e0c2a5a203d/2A.jpg" /&#62;&#60;img width="2999" height="2142" width_o="2999" height_o="2142" data-src="https://freight.cargo.site/t/original/i/4affbbe7c6d7aeddb0b48f665602449cbf1938d8d6221206028349a5e1951b31/2b-sam-re-edit-for-exposure.jpg" data-mid="218206673" border="0"  src="https://freight.cargo.site/w/1000/i/4affbbe7c6d7aeddb0b48f665602449cbf1938d8d6221206028349a5e1951b31/2b-sam-re-edit-for-exposure.jpg" /&#62;&#60;img width="7906" height="5270" width_o="7906" height_o="5270" data-src="https://freight.cargo.site/t/original/i/616d6b24eb8657aae764fad914a10d361f15bec293689ada1b2631d468afb3db/3a.jpg" data-mid="218206674" border="0"  src="https://freight.cargo.site/w/1000/i/616d6b24eb8657aae764fad914a10d361f15bec293689ada1b2631d468afb3db/3a.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/79c007c830c56603a5c2465e3d8946d44b7d7a238561317217d2f8fffa52d7a2/5AA.jpg" data-mid="218206675" border="0"  src="https://freight.cargo.site/w/1000/i/79c007c830c56603a5c2465e3d8946d44b7d7a238561317217d2f8fffa52d7a2/5AA.jpg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e6b838a9924509dc0db67924d2e23a37b86a516ca6bfb94f5918f76fed9f6b74/6A.JPG" data-mid="218206676" border="0"  src="https://freight.cargo.site/w/1000/i/e6b838a9924509dc0db67924d2e23a37b86a516ca6bfb94f5918f76fed9f6b74/6A.JPG" /&#62;&#60;img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/8b672d740c962cb112d2c4f90eadc63bf59e5429e9b3c899a5310c096b4e8271/8A.jpg" data-mid="218206677" border="0"  src="https://freight.cargo.site/w/1000/i/8b672d740c962cb112d2c4f90eadc63bf59e5429e9b3c899a5310c096b4e8271/8A.jpg" /&#62;

&#60;img width="4017" height="5000" width_o="4017" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b170cfc1669274f4cbd5fdad15fac0e5ed631f9bb10066143d210b98e0319e29/DSCF1483.jpg" data-mid="218205840" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/b170cfc1669274f4cbd5fdad15fac0e5ed631f9bb10066143d210b98e0319e29/DSCF1483.jpg" /&#62;
Win McCarthyDay Residue at Church and Leonard (Crosswalk)
2024Epson 770 Ultrachrome ink, adhesive transparency, paper, dibond mount96 x 27½ in.243.84 x 69.85 cm


&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/5a26d6426b7f46be5b966c97a9ff71b917774e8fe292775658a4d933ccc5f292/DSCF1492.jpg" data-mid="218205875" border="0"  src="https://freight.cargo.site/w/1000/i/5a26d6426b7f46be5b966c97a9ff71b917774e8fe292775658a4d933ccc5f292/DSCF1492.jpg" /&#62;

&#60;img width="4841" height="5000" width_o="4841" height_o="5000" data-src="https://freight.cargo.site/t/original/i/2e590d889ddca4df90c23097632849fd5c55c9cbe1880d71746352cdfd030804/DSCF1508.jpg" data-mid="218205877" border="0"  src="https://freight.cargo.site/w/1000/i/2e590d889ddca4df90c23097632849fd5c55c9cbe1880d71746352cdfd030804/DSCF1508.jpg" /&#62;Win McCarthyDynamism of a Yellow Van
2024Epson 770 Ultrachrome ink, adhesive silver foil, foamboard, dibond mount33¼ x 77 in.84.45 x 195.58 cm


&#60;img width="3000" height="2142" width_o="3000" height_o="2142" data-src="https://freight.cargo.site/t/original/i/9e6a91df5176d6970db5068c1c505ad88e94f9f8b20ae68bf5ede06fef4db33c/WIN-CAB-DETAIL.jpg" data-mid="218205940" border="0"  src="https://freight.cargo.site/w/1000/i/9e6a91df5176d6970db5068c1c505ad88e94f9f8b20ae68bf5ede06fef4db33c/WIN-CAB-DETAIL.jpg" /&#62;


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/24eacd11999794e61ca12d341f940798951b70e40fd9c83ffc632f6692ef501f/13_Win-McCarthy_Kingdom-Come.jpg" data-mid="218212408" border="0"  src="https://freight.cargo.site/w/1000/i/24eacd11999794e61ca12d341f940798951b70e40fd9c83ffc632f6692ef501f/13_Win-McCarthy_Kingdom-Come.jpg" /&#62;
Win McCarthyNY Spleen, Kingdom Come, and Canopic Jars
2024Epson 770 Ultrachrome ink, adhesive silver foil, steel, foamboard, glue, tape, paint, quart containers, 
permenant marker, linens, safety pins, wool blankets, zipper vinyl bagsDimensions variable

&#60;img width="3000" height="2225" width_o="3000" height_o="2225" data-src="https://freight.cargo.site/t/original/i/6eb8d7a0187ce363128f111d50b79750772738fdeb7c06d9cfd651cc19272470/15a-re-edit-sam-8.jpg" data-mid="218211653" border="0"  src="https://freight.cargo.site/w/1000/i/6eb8d7a0187ce363128f111d50b79750772738fdeb7c06d9cfd651cc19272470/15a-re-edit-sam-8.jpg" /&#62;&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/4961ab3c8ab1a9c870932d8fe15c6786ce6ac9a49d679ee874d646573739a063/13b.JPG" data-mid="218206684" border="0"  src="https://freight.cargo.site/w/1000/i/4961ab3c8ab1a9c870932d8fe15c6786ce6ac9a49d679ee874d646573739a063/13b.JPG" /&#62;&#60;img width="5504" height="8256" width_o="5504" height_o="8256" data-src="https://freight.cargo.site/t/original/i/ca00a5af2e7381266d54f31f166549319d062a5eddabe70c7910a0de6f5756cf/14A.JPG" data-mid="218206685" border="0"  src="https://freight.cargo.site/w/1000/i/ca00a5af2e7381266d54f31f166549319d062a5eddabe70c7910a0de6f5756cf/14A.JPG" /&#62;&#60;img width="5504" height="8256" width_o="5504" height_o="8256" data-src="https://freight.cargo.site/t/original/i/d2c419253042becfd851eb72ea70144b2937f7140b5b70596e938db36f1d411c/14B.jpg" data-mid="218206686" border="0"  src="https://freight.cargo.site/w/1000/i/d2c419253042becfd851eb72ea70144b2937f7140b5b70596e938db36f1d411c/14B.jpg" /&#62;&#60;img width="5504" height="8256" width_o="5504" height_o="8256" data-src="https://freight.cargo.site/t/original/i/113009edc195ed2a2a4cd52c2c103d0cab8c0f5ca32486bf1cca139be201b845/16A.JPG" data-mid="218206687" border="0"  src="https://freight.cargo.site/w/1000/i/113009edc195ed2a2a4cd52c2c103d0cab8c0f5ca32486bf1cca139be201b845/16A.JPG" /&#62;

&#60;img width="3951" height="5000" width_o="3951" height_o="5000" data-src="https://freight.cargo.site/t/original/i/9ce16c71963f63beb8d32490c868486af8e9476c667def922257152b06e4b639/DSCF1498.jpg" data-mid="218205976" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/9ce16c71963f63beb8d32490c868486af8e9476c667def922257152b06e4b639/DSCF1498.jpg" /&#62;

Win McCarthyDay Residue at 12th Street (Entrance)
2024Epson 770 Ultrachrome ink, adhesive transparency, paper, dibond mount89 x 25¼ in.226.06 x 64.14 cm

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Win McCarthyDay Residue at 12th Street (Exit)
2024Epson 770 Ultrachrome ink, adhesive transparency, paper, dibond mount20 x 14¾ in.50.80 x 37.47 cm
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To see all is, perhaps, to see nothing... and thus, a view from the afterlife...

					Calling to mind Luigi Russolo’s Dynamism of an Automobile, and the Futurist Manifesto’s delirious promise of power through
technological singularity, the works in Kingdom Come capture instead a futurist melancholia – the onslaught of the everyday rendered as an immersive VR. The tableaux included – a crosswalk, a delivery van, a lingerie advertisement, an apartment staircase – were
constructed using a smartphone’s panorama feature. To produce this sense of a wider view, the effect requires fragmentation and
reassembly. Images are broken, time stretched and compressed. The panorama has grandiose aspirations: to capture all. But an unsettling
distortion emerges at the seams. A gut feeling that totality can’t be simply a grand sum of so many views.

					New York City is a fitting subject then, a throbbing Leviathan of individual subjects, each with a vantage, each with a wildly
disproportionate claim to personal space, property, net worth, self-regard or the opposite, all tangible intangibles, surrounded then by the
material fact of the city – bricks, panes of glass, curbs, manhole covers, screws.

					
They say, he says, all rise must fall,all born must die. All this flatten to an inch,made of screws anyway, made of pieces,everywhere thenreturn to pieces. Sorry!

					A certain passivity is required, as most modern conveniences offer an inertia, an incapacity. One’s sense of being a subject of history is ostensibly verified by an output of about 20,000 photographs a year, mysterious HEIC files in many cases, an amount of material that would require superhuman processing power to collate and composite into a nearly comprehensible life. Try to locate yourself then among the mob of image producing subjects: dogs marking the curb with piss, moving on, pissing again. Subjectivity reaches its
saturation point. One yearns then for the divine photographer, an omniscient view, satisfying all need to record, a great ledger, mmm, yes,
it’s been called the grace of god!

				
			
		
	
Win McCarthy (b. 1986, New York) lives and works in New York. Selected solo exhibitions include KW Institute for Contemporary Art, Berlin (2023); Galerie Fons Welters, Amsterdam (2022, 2018); Galerie Neu, Berlin (2021); Atlantis, Marseille (2019); Svetlana, New York (2019); Silberkuppe, Berlin (2017); Off Vendome, New York (2015). Selected group exhibitions have been held at Francis Irv, New York (2024); Fondazione Morra Greco, Naples (2023); Emalin, London (2023); Meredith Rosen Gallery, New York (2022); Overduin &#38;amp; Co., Los Angeles (2022); Swiss Institute, New York (2022); Drawing Center, New York (2020) Kunsthal, Rotterdam, NL (2019); Whitney Museum of American Art, New York (2016); Sculpture Center, New York (2014); White Flag Projects (2013).





The New York Times
Mousse Magazine</description>
		
	</item>
		
		
	<item>
		<title>A String of Tongueless Bells</title>
				
		<link>https://francisirv.com/A-String-of-Tongueless-Bells</link>

		<pubDate>Wed, 17 Jul 2024 23:35:38 +0000</pubDate>

		<dc:creator>Francis Irv</dc:creator>

		<guid isPermaLink="true">https://francisirv.com/A-String-of-Tongueless-Bells</guid>

		<description>


	
A String of Tongueless Bells 
Osama Al Rayyan, Benjamin Echeverria, Rachel Fäth,Win McCarthy, Phung-Tien Phan, Paul Sietsema

July 13th - August 17th, 2024The New York Times


Mousse Magazine
ArtReview

	













Osama Al Rayyan (b. 1995, Damascus) lives and works in Basel. Selected solo exhibitions include Mendes Wood DM, Brussels (2024); Galleria Federico Vavassori, Milan (2022, 2021); Magic Stop, Lausanne (2022). Selected group exhibitions have been held at Ex-Cinema Eldorado, Lausanne (2023); Kunsthalle Zürich, Zürich (2023); Mendes Wood DM at d’Ouwe Kerke, Retranchement (2023); suns.works, Zurich (2022); Galleria Federico Vavassori, Milan (2022); Sonnenstube, Lugano (2022); Kunsthaus Baselland, Basel (2021 &#38;amp; 2019); Riverside, Basel (2021).

Benjamin Echeverria (b. 1980, Waterloo) lives and works in Los Angeles. Selected solo exhibitions include Galerie Parisa Kind, Frankfurt am Main (2024, 2021, 2019); Francis Irv, New York (2023); Michael Benevento, Los Angeles (2022); Bad Reputation, Los Angeles (2020); Parapet Real Humans, St. Louis (2019, 2017). Selected group exhibitions have been held at Bel Ami, Los Angeles (2024); Gattopardo, Los Angeles (2024); Overduin &#38;amp; Co., Los Angeles (2023); Michael Benevento, Los Angeles (2023).

Rachel Fäth (b. 1991, Berlin) lives and works in New York. Selected solo and two-person exhibitions include Francis Irv, New York (2023); diez, Amsterdam (2023); Shahin Zarinbal, Berlin (2022); Loggia Loggia, Munich (2022); Mauer, Cologne (2022). Selected group exhibitions have been held at le vite, Milan (2024); Kai Matsumyia, New York (2023); New Jörg, Vienna (2023); Shahin Zarinbal, Berlin (2022); Kunstverein Munich, Munich (2022); Lomex, New York (2022); Haus Wien, Vienna (2021).

Win McCarthy (b. 1986, New York) lives and works in New York. Selected solo and two-person exhibitions include KW Institute for Contemporary Art, Berlin (2023); Galerie Fons Welters, Amsterdam (2022, 2018); Galerie Neu, Berlin (2021); Atlantis, Marseille (2019); Svetlana, New York (2019); Silberkuppe, Berlin (2017); Off Vendome, New York (2015). Selected group exhibitions have been held at Fondazione Morra Greco, Naples (2023); Emalin, London (2023); Meredith Rosen Gallery, New York (2022); Overduin &#38;amp; Co., Los Angeles (2022); Swiss Institute, New York (2022); Drawing Center, New York (2020) Kunsthal, Rotterdam, NL (2019); Whitney Museum of American Art, New York (2016); Sculpture Center, New York (2014); White Flag Projects, St. Louis (2013).

Phung-Tien Phan (b. 1983, Essen) lives and works in Essen. Selected solo and two person exhibitions include Kunsthalle Basel, Basel (2023); Édouard Montassut, Paris (2023); CAPC Musée d’Art Contemporain de Bordeaux, Bordeaux (2022); Goethe-Institut Cyprus, Cyprus (2022); Schiefe Zähne, Berlin (2021); Kunstverein Harburger Bahnhof, Hamburg (2020); Drei, Cologne (2019); Aedt, Düsseldorf (2018); Bonner Kunstverein, Bonn (2016). Selected group exhibitions have been held at Times Museum, Guangzhou (2024); Sentiment, Zurich (2024); Schiefe Zähne, Berlin (2023); Kunstverein Bielefeld, Bielefeld (2023); Espai d’Art Contemporani de Castelló, Castelló (2023); The Wig, Curated by the Wig, Makroscope, Mülheim an der Ruhr (2023); Galerie Fons Welters, Amsterdam (2022).

Paul Sietsema (b. 1968, Los Angeles) lives and works in Los Angeles. Selected solo exhibitions include Matthew Marks Gallery, New York and Los Angeles (2023, 2020, 2018, 2016, 2014, 2011); Marian Goodman, Paris (2022); Museum of Contemporary Art, Chicago (2013); Kunsthalle Basel (2012); Schinkel Pavilion, Berlin (2010); Midway Contemporary Art, Minneapolis (2010); Museo Nacional Centro de Arte Reina Sofía, Madrid (2009); The Museum of Modern Art, New York (2009); San Francisco Museum of Modern Art (2008); Whitney Museum of American Art, New York (2003). Selected group exhibitions have been held at Casey Kaplan, New York (2024); Trautwein Herleth, Berlin (2023); Akademie der bildenden Künste, Vienna (2022); Matthew Marks Gallery, New York and Los Angeles (2021, 2019, 2016, 2012); Whitney Museum of American Art, New York (2016); S.M.A.K. Museum of Contemporary Art, Ghent, Belgium (2015); Hammer Museum, Los Angeles (2011); Museum of Contemporary Art, Los Angeles (2010).




 












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&#60;img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9ec4e671f7d32717374211e8f2db3bb9b4573abf89c64529ff559fad42c5e735/Win-McCarthy_7-x-Lucy_2024_02.jpg" data-mid="214842949" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/9ec4e671f7d32717374211e8f2db3bb9b4573abf89c64529ff559fad42c5e735/Win-McCarthy_7-x-Lucy_2024_02.jpg" /&#62;
Win McCarthy7 x Lucy
2024Eyewear, solder, wire12 x 12 x 4 in.30.48 x 30.48 x 10.16 cm


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&#60;img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9476ad96d8f027f7dbfe7c5d54d6918bd17ca9823aeeaddd7620459083c24466/Paul-Sietsema_Arrangement_2024_01.jpg" data-mid="214842811" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9476ad96d8f027f7dbfe7c5d54d6918bd17ca9823aeeaddd7620459083c24466/Paul-Sietsema_Arrangement_2024_01.jpg" /&#62;Paul SietsemaArrangement
2024Enamel on linen18 x 18 in.45.72 x 45.72 cm


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Benjamin EcheverriaPans
2022Oil, acrylic, adhesives on canvas57 x 46 in.144.78 x 116.84 cm

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Osama Al RayyanUntitled
2024Bronze3¾ x 6½ x 3⅛ in.9.60 x 16.50 x 7.80 cm

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Win McCarthyUntitled (Orange Angles)
2024Aluminum65 x 5½ in.165.10 x 13.97 cm
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&#60;img width="2201" height="2934" width_o="2201" height_o="2934" data-src="https://freight.cargo.site/t/original/i/427fdcc2c3d3ad3b788421e29f1683c768165865407741eddd1edfde5fa80499/Phung-Tien-Phan_Senior_2024_01.jpg" data-mid="214843133" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/427fdcc2c3d3ad3b788421e29f1683c768165865407741eddd1edfde5fa80499/Phung-Tien-Phan_Senior_2024_01.jpg" /&#62;Phung-Tien Phan
Senior
2024
Vintage table, circular saw blade
29½ x 48 x 48 in.
74.93 x 121.92 x 121.92 cm
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&#60;img width="2250" height="2639" width_o="2250" height_o="2639" data-src="https://freight.cargo.site/t/original/i/65fc1d20543bae2900a9c18da6e5db448c1effcaf7737384fca98916fd57a198/Paul-Sietsema_Yellow-painting_2024_01.jpg" data-mid="214843671" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/65fc1d20543bae2900a9c18da6e5db448c1effcaf7737384fca98916fd57a198/Paul-Sietsema_Yellow-painting_2024_01.jpg" /&#62;Paul Sietsema
Yellow painting2024Enamel on linen22½ x 19 in.57.15 x 48.26 cm

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Rachel FäthTwo things are possible II
2024Cold rolled steel, hot rolled steel, magnets17 x 17 x 15 in.43.18 x 43.18 x 38.10 cm



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